-
Steve Middlehurst's learning log
OCA course: BA (Hons) Photography
Context and Narrative
Student ID : 512357“If your pictures aren’t good enough, you aren’t reading enough”
Tod Papageorge - Follow Steve Middlehurst Context and Narrative on WordPress.com
-
Join 114 other subscribers
Blogroll
Tags
- Abbas
- Abigail Solomon-Godeau
- AES&F
- Aileen Smith
- Alec Soth
- Alexey Brodovitch
- Alfred Stieglitz
- Alison Jackson
- Andreas Feininger
- Andreas Gursky
- Andrew Lacon
- Andrew Wyeth
- André Kertész
- Andy Warhol
- Aneta Grzeszykowska
- Annabel Elgar
- Anna Fox
- Annelies Strba
- Ansel Adams
- Anthony Luvera
- Antigua
- Appropriation
- Archaelogy
- Architecture
- Arno Rafael Minkkinen
- August Sander
- Avant-Garde
- Berenice Abbott
- Bernd and Hilla Becher
- Bertien van Manen
- Bill Brandt
- Black and White
- Brassai
- Briony Campbell
- Bruno Barbey
- Candida Hofer
- Caribbean
- Carl Andre
- Catharina van Hemessen
- Chantel Summerfield
- Charlie O'Hay
- Chloe Dewe Mathews
- Chris Hondros
- Chris Steele-Perkins
- Christian Boltanski
- Cindy Sherman
- Cinematographic
- Clare Strand
- Claude Monet
- Composition
- Concerned Photographer
- Curtis D. Bennett
- Danny Lyons
- Danny Treacy
- David Bailey
- David Campany
- Deadpan
- Degeneration
- Denis Darzacq.
- Diane Arbus
- Documentary
- Don McCullin
- Dorothea Lange
- Eadwerad Muybridge
- Ed Burtynsky
- Edward Ruscha
- Edward Steichen
- Edward Weston
- Elliot Erwitt
- Elliott Erwitt
- Erich Hartmann
- Eric Tabuchi
- Ernst Gombrich
- Ernst Haas
- Eugene Atget
- Eugene Richards
- Eugen Herrigel
- Eve Arnold
- Feminism
- Ferdinando Scianna
- Film Noir
- Florence Henri
- Found Photography
- Francesca Woodman
- Frederic Brenner
- Garry Winogrand
- George Rodger
- George Woodman
- Germaine Krull
- Gerry Badger
- Giacomo Brunelli
- Gillian Wearing
- Greg Marinovich
- Gregory Crewdson
- Gueorgui Pinkhassov
- Guy Le Querrec
- Hannah Starkey
- Hans Holbein
- Harold Evans
- Harry Gruyaert
- Heather Hummel
- Helen Levitt
- Henri Cartier-Bresson
- Hippolyte Baynard
- Hiromi Tsuchida
- Hubert Robert
- Hélène Binet
- Ilse Bing
- Immigration
- Imogen Cunningham
- Inge Morath
- Izis
- Jean Gaumy
- Jeanne J Bertrand
- Jeff Brouws
- Jeff Wall
- Jitka Hzhanzlova
- Joachim Brohm
- Joao Silva
- Joel Meyerowitz
- joe Rosenthal
- John Lyly
- John Szarkowski
- John Thomson
- John Vink
- Josef Koudelka
- Julia Margaret Cameron
- Kai-Olaf Hesse
- Kevin Carter
- Landscape
- Larry Clark
- Late Photography
- Lee Friedlander
- Lee MIller
- Leonardo da Vinci
- Lewis Hine
- Lisette Model
- Louis Daguerre
- Luc Delahaye
- Lydia Panas
- László Moholy-Nagy
- Man Ray
- Marc Riboud
- Margret Bourke-White
- Marie-Louise Elisabeth Vigée-Lebrun
- Mark Power
- Martha Rosler
- Martine Franck
- Martin Parr
- Martin van Heemskerk
- Masquerade
- Mitra Tabrizan
- Modern
- Nan Goldin
- Narrative
- Neue Sachlichkeit
- New Objectivity
- Nick Ut
- Nicky Bird
- Nigel Shafran
- Nikki S. Lee
- Nobuyoshi Araki
- Nudes
- Otto Steinert
- Palimpsest
- Patrick Zachmann
- Paul Seawright
- Paul Strand
- Peter Marlow
- Philip-Lorca diCorcia
- Philip Jones Griffiths
- Philipp Schaerer
- Photojournalism
- Pierre Auguste Renoir
- Post Conflict Photography
- Postmodern
- Post Postmodern
- Reflections
- Rene Burn
- Reportage
- Richard Billingham
- Richard Kalvar
- Richard Prince
- Rineke Dijkska
- Robert Barry
- Robert Capa
- Robert Doisneau
- Robert Frank
- Robert Longo
- Robert Pirsig
- Robert Rauschenberg
- Roger Fenton
- Roland Barthes
- Roy Stryker
- Russell Squires
- Salvador Dali
- Sam Taylor-Johnson
- Samuel Fosso
- Sarah Dobai
- Sarah Pickering
- Sebastiao Salgado
- Selfie
- Self Portrait
- Semiotics
- Seriality
- Shadows
- Sharon Boothroyd
- Sherrie Levine
- Shomei Tomatsu
- Simon Norfolk
- Sophie Calle
- Sophie Ristelhueber
- Sophy Rickett
- Staged Photography
- Stephen Shore
- Steve Curry
- Still Life
- Street Photography
- Stuart Franklin
- Stuart Freedman
- Surrealism
- Surveillance
- Susan Sontag
- Symbolism
- Sze Tsung Leong
- Tableaux
- Taryn Simon
- Thomas Ruff
- Thomas Struth
- Thomas Weinberger
- Time
- Tom Hunter
- Tom Wood
- Tong Lam
- Tony Ray-Jones
- Tracey Moffat
- Typology
- Ursula Schultz-Dornburg
- Vanitas
- Victor Burgin
- Victor Stoicha
- Vivian Maier
- Walker Evans
- Walter Niedermeyr
- Wang Qingsong
- War Photography
- W Eugene Smith
- William Eggleston
- William Henry Fox Talbot
- William Klein
- Willie Doherty
- Willy Ronis
- Yasumasa Morimura
- Zen
- Zeneb Sedira
-
Recent Posts
- Notes for Assessor January 17, 2016
- Assignment 5 Supplication – Rework December 29, 2015
- Assignment 5 – Rework as Triptych December 29, 2015
- Assignment 5 – Tutor Feedback and Response November 25, 2015
- Assignment 5 Self Assessment October 19, 2015
Categories
Archive
May 2024 M T W T F S S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31
Category Archives: Assignment 1 – Two Sides of The Story
Assignment 1 – Invisible People Rework
My tutor felt that a number of my compositions for assignment 1 (here) were weak and suggested that I considered reworking some of them. As he pointed out, composition is subjective but I agree that some of the compositions were … Continue reading
Assignment 1 – Self Assessment
Demonstration of Technical and Visual Skills It was important to create a bland, ordinary atmosphere around the series, I wanted to encourage contemplation of the landscape from an objective, documentary viewpoint. To achieve this I chose a “dead-pan” approach to both composition … Continue reading
Assignment 1 – Invisible People
Preamble Assignment 1 calls for two sets of photographs to tell different versions of the same story. The aim of the assignment is to explore the convincing nature of documentary by presenting two sets of pictures that are equally convincing depictions of … Continue reading
Posted in Assignment 1 - Two Sides of The Story
Tagged Deadpan, Documentary, Late Photography
Leave a comment
Assignment 1 – Research and Development
Initial Ideas Selecting the subject and approach to an assignment is, for me, an organic process with an initial idea evolving in response to the various lines of research and exercises within the course. This part of the course explores the relationship between … Continue reading
Posted in Assignment 1 - Two Sides of The Story, Research and Reflection
Tagged Anthony Luvera, Charlie O'Hay, Documentary, Frederic Brenner, George Rodger, Joachim Brohm, Joel Meyerowitz, Late Photography, Lee MIller, Lewis Hine, Martha Rosler, Nicky Bird, Paul Seawright, Photojournalism, Post Conflict Photography, Roger Fenton, Russell Squires, Simon Norfolk, Stephen Shore, Street Photography, William Eggleston
Leave a comment