Category Archives: 4 – The Gallery Wall

Exercise 3 Sarah Pickering and The Role of Art Documentary

The course notes ask two questions about the work of Sarah Pickering. Firstly how I emotionally respond to the photographs and secondly whether it is an effective use of documentary photography. Response to Public Order Public Order, the series in … Continue reading

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Paul Seawright – Journalism and Art in Conflict Photography

The course notes suggest that we look at Sectarian Murder (1) a series by Paul Seawright, a Northern Irish photographer and artist, in which he looks at the landscapes where sectarian murders occurred during the Northern Ireland conflicts on the 70s. … Continue reading

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