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Steve Middlehurst's learning log
OCA course: BA (Hons) Photography
Context and Narrative
Student ID : 512357“If your pictures aren’t good enough, you aren’t reading enough”
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Recent Posts
- Notes for Assessor January 17, 2016
- Assignment 5 Supplication – Rework December 29, 2015
- Assignment 5 – Rework as Triptych December 29, 2015
- Assignment 5 – Tutor Feedback and Response November 25, 2015
- Assignment 5 Self Assessment October 19, 2015
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Tag Archives: Don McCullin
Avoiding The Fraught Enterprise
I have been researching staged photography by reviewing the usual suspects; Crewdson (here), Sherman (here), Wall (here) and diCordia. This quartet is intriguing, in part because their work is so different yet linked by premeditated staging and the appropriation of cinematic processes and … Continue reading
Posted in Assignment 5 - Making It Up, Research and Reflection
Tagged AES&F, Andreas Gursky, Cindy Sherman, Cinematographic, Documentary, Don McCullin, Gillian Wearing, Gregory Crewdson, Hannah Starkey, Jeff Wall, Late Photography, Luc Delahaye, Nick Ut, Philip Jones Griffiths, Philip-Lorca diCorcia, Photojournalism, Sebastiao Salgado, Staged Photography, Tracey Moffat, Wang Qingsong, War Photography
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Conflict. Time. Photography. Tate Modern: November 14 to March 15
Simon Baker, in his essay Armageddon in Retrospect (1), says that Conflict. Time. Photography “takes as its starting point the necessity and value of the time taken to consider the past.” Time, and our reaction to time, is at the heart of this exhibition. … Continue reading
Posted in Books & Exhibitions, Research and Reflection
Tagged Chloe Dewe Mathews, Don McCullin, Hiromi Tsuchida, Late Photography, Lee MIller, Luc Delahaye, Martha Rosler, Nick Ut, Philip Jones Griffiths, Post Conflict Photography, Robert Capa, Shomei Tomatsu, Sophie Ristelhueber, Susan Sontag, Taryn Simon, Ursula Schultz-Dornburg, W Eugene Smith, War Photography
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The Influence of Surrealism on British Street Photography
What is Surrealism? There are a multitude of definitions of Surrealism but they generally net down to using imagery from the subconscious mind and dreamscape to express an authentic self and thereby visualise a truer reality, the Surreal. This expression of … Continue reading
Exercise 1 (b) – Objectivity in Documentary Photography
Definitions The Oxford Dictionary defines objectivity as existing independently of perception which, in the context of photography, could be interpreted as an object, or the subject matter, must exist independently of the subject’s perception of it. In Photography (1) Stephen Bull offers … Continue reading