Tag Archives: Lee MIller

Conflict. Time. Photography. Tate Modern: November 14 to March 15

Simon Baker, in his essay Armageddon in Retrospect (1),  says that Conflict. Time. Photography “takes as its starting point the necessity and value of the time taken to consider the past.” Time, and our reaction to time, is at the heart of this exhibition. … Continue reading

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Assignment 1 – Research and Development

Initial Ideas Selecting the subject and approach to an assignment is, for me, an organic process with an initial idea evolving in response to the various lines of research and exercises within the course. This part of the course explores the relationship between … Continue reading

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The Influence of Surrealism on British Street Photography

What is Surrealism? There are a multitude of definitions of Surrealism but they generally net down to using imagery from the subconscious mind and dreamscape to express an authentic self and thereby visualise a truer reality, the Surreal. This expression of … Continue reading

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Late Photography

Foreword This essay is about how war photography has lost its place as the primary source of visual news images taken in conflicts and how this has contributed to a rise in late photography. In arguing that the war photographer in … Continue reading

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