Category Archives: Part 1 – The Photograph as a Document

Exercise 5 – Truth and Digital Technology

Liz Wells (1) poses a series of questions regarding the truth of photography in the digital age. She points out that a photograph can be produced from a montage of created or appropriated images, it can be radically altered during … Continue reading

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Exercise 4 – The Manipulated Image

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Exercise 3 Sarah Pickering and The Role of Art Documentary

The course notes ask two questions about the work of Sarah Pickering. Firstly how I emotionally respond to the photographs and secondly whether it is an effective use of documentary photography. Response to Public Order Public Order, the series in … Continue reading

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Paul Seawright – Journalism and Art in Conflict Photography

The course notes suggest that we look at Sectarian Murder (1) a series by Paul Seawright, a Northern Irish photographer and artist, in which he looks at the landscapes where sectarian murders occurred during the Northern Ireland conflicts on the 70s. … Continue reading

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Exercise 2 (e) Street Photography Guildford

Exercise 2 asks for 30 colour and 30 black and white street photographs. It suggests that these are taken in the same street on the same shoot. I only wish that I could capture 60 photos on a shoot that … Continue reading

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Exercise 2 (d) Street Photography Winchester

Exercise 2 asks for 30 colour and 30 black and white street photographs. It suggests that these are taken in the same street on the same shoot. I only wish that I could capture 60 photos on a shoot that … Continue reading

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Exercise 2 (c) Street Photography Portsmouth and Southsea

Exercise 2 asks for 30 colour and 30 black and white street photographs. It suggests that these are taken in the same street on the same shoot. I only wish that I could capture 60 photos on a shoot that … Continue reading

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