Tag Archives: Paul Seawright

Assignment 2 – Self Assessment

Demonstration of Technical and Visual Skills My first submission for Assignment 1 included a number of weak compositions and whilst I hope that this was addressed in the re-work of that assignment (see here) it was an important self imposed … Continue reading

Posted in Assignment 2 - Photographing The Unseen, Research and Reflection | Tagged , , , , , , , | Leave a comment

Assignment 2 Aesthetics, Selection and Presentation

Criteria The assignment is very open in terms of subject but quite specific regarding the final presentation. We are asked to submit a “tightly edited and visually consistent series of 7 to 10 images”. My final selection is very much … Continue reading

Posted in 3 - Photographing the Unseen, Assignment 2 - Photographing The Unseen, Research and Reflection | Tagged , , , , , , | Leave a comment

Mark Power: 26 Different Endings

When I set out to look at Mark Power’s 26 Different Endings (1) following my tutors comments reading my assignment 1 I was mostly interested in his compositional style  However, I was drawn into the subject matter and intrigued by the … Continue reading

Posted in 3 - Photographing the Unseen, Assignment 2 - Photographing The Unseen, Books & Exhibitions, Inspirational Photographers, Research and Reflection | Tagged , , , , | Leave a comment

Assignment 1 – Research and Development

Initial Ideas Selecting the subject and approach to an assignment is, for me, an organic process with an initial idea evolving in response to the various lines of research and exercises within the course. This part of the course explores the relationship between … Continue reading

Posted in Assignment 1 - Two Sides of The Story, Research and Reflection | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Paul Seawright – Journalism and Art in Conflict Photography

The course notes suggest that we look at Sectarian Murder (1) a series by Paul Seawright, a Northern Irish photographer and artist, in which he looks at the landscapes where sectarian murders occurred during the Northern Ireland conflicts on the 70s. … Continue reading

Posted in 4 - The Gallery Wall, Inspirational Photographers, Research and Reflection | Tagged , , , | Leave a comment

Late Photography

Foreword This essay is about how war photography has lost its place as the primary source of visual news images taken in conflicts and how this has contributed to a rise in late photography. In arguing that the war photographer in … Continue reading

Posted in 2 - Photojournalism, Research and Reflection | Tagged , , , , , , , , , , , , , , , , , | 1 Comment